9 May 2013
15 April 2013
It seems that these two separate groups of people will never agree but neither is perfectly right. Companies such as Ann Summers and Dove have launched campaigns to celebrate ‘real women’ even stating that ‘real women have curves’, the problem with this is that, sure, some women do naturally have curves but also some women are naturally size zeros. So what does Dove mean with their slogan; are they claiming that naturally slim women are in fact not women at all? There has to be a middle ground.
Talking at a panel hosted by the National Eating Disorder Awareness Organisation model Crystal Renn, who made her name as a plus size model, argued that industry standard samples should be changed from a US size zero to a US size eight, or UK size 12. Renn argued that this change would give designers more freedom to be creative and highlighted Zac Posen in particular as one designer who has already embraced a wide variety of sized models.
The last decade in particular has been dominated with unrealistic portrayals of body images but it hasn’t always been the case. Women’s bodies have been the subject of much furore since as far back as we could tell. We take a retrospective look at the changing shape of shape in fashion from the 1920s to today.
Throughout history right up until the 1920s women’s figures were depicted as voluptuous with plump limbs that was thought to represent fertility and motherhood, both desirable qualities in women. Women wore corsets which were designed to enhance their femininity and hourglass figures but as the War approached more than just the landscape changed; women were put to work doing physically demanding work and poverty resulted in a shortage of food which led to a change in womens bodies. Slim boyish figures became more fashionable and the flapper style became in vogue; slim and slight with clothes that hung strait down rather than figure hugging.
It wasn’t until the 1950s that a more curvaceous shape came to be more popular again, with women such as Betty Page and Marilyn Monroe taking centre stage on television and film, the ‘pin up’ shape quickly became the rage with large busts and tiny waists. It was due to the Second World War that this hyper feminine, sexualised image of women became so popular with images of Pin-up girls being sent to the US troops as symbols of patriotism and good luck.
Into the 1960s women’s shape seemed to revert to post war years infatuation with the waif like figures, women like Marianne Faithful and Twiggy bought back the boyish figure back into the forefront of fashion. The 1980s saw a rise in popularity of aerobics and fitness videos, Lycra was the material du jour and bodies became more toned and athletic looking, a generally healthier vision of the female body. However into the 90s the ‘heroin chic’ look took centre stage and an unhealthily slim frame became the desired body type. Since the 90s a less than svelte frame has more or less remained the fashionable weight since.
Ironically in times of poverty to be overweight suggested wealth and status as it implied that you had the money to eat well and likewise being slim inferred you were poor. In today’s society there has been a complete reverse in this as the rich can afford to hire personal trainers and cosmetic surgery to keep them looking slim whereas cheap food tends to be bad for you meaning that obesity is linked to the poorer classes.
But regardless of what you think women should look like is it really the fashion industries responsibility to look after us and protect us from eating disorders and body dismorphia? Why is it that society puts so much pressure on the fashion industry, more than any other, to be held accountable for what they do and how much responsibility should the industry actually take?
Of course staring at excessively skinny models in stunning dresses all day is going to make you less inclined to eat a big slice of cake for lunch but just don’t look at fashion magazines all day. Back in May 2012 Vogue launched a Health Initiative that included 19 international Vogue editors who all made a promise to encourage a healthier approach to body image. Alexandra Shuleman, editor of British Vogue, stated that ‘as one of the fashion industries most powerful voices, Vogue has the unique opportunity to engage with relevant issues where we feel we can make a difference.’
So whatever your body type and whatever you wish your body was like don’t feel like you’re the only one, body image has always been an issue within society and will probably remain so for a long while to come.
What do you think about the fashion industry and bodyweight? This blog post was written by Lucinda Bounsall who works at farfetch.com
19 March 2013
I was feeling a little creative today so I decided to make a little collage of all my favourite shoes from this season. Which ones are your favourite?
12 February 2013
Everyone always makes fun of my wonderful husband and I, because we tend to match more often than not as a result of him raiding my wardrobe on a regular basis. This time, I decided it was my turn for revenge and so I stole his Monki jacket.
11 February 2013
WAAAAH. I was invited to this show but due to living in Londontown I was unable to get my rocket boots on in time. I'm really digging the striped cross print and the gold. What can I say, I'm a tacky cunt. Also, HOW SOFT DO THOSE FABRICS LOOK? I could fall asleep in a pile of those shirts.
10 February 2013
9 February 2013
"Vintage" Nick Cave & the Bad Seeds tour shirt, H&M leather and metal purse from yard sale, Topshop earrings
Nick Cave's new album Push The Sky Away has been put online to stream here. What are your favourite songs?
8 February 2013
First of all, I must say it was a pleasant surprise to see my friend Chloë opening Sally LaPointe's Autumn/Winter 2013 show! Second of all, what a long way Ms. LaPointe has come since I had the chance to see her Spring/Summer 2011 collection all those moons ago - her use of fabrics and textures especially. She always manages to make her shows and models seem like some crazy fashion outerspace voyage.
6 February 2013
The sad truth is that London is a miserable city, in a miserable country, where things are only getting worse because of the economy. My biggest fear when moving here was that when I returned everything would be different -- people would die (and they did), places would disappear (which I learned they have) and all that once was would be gone.
This is the case for Carte Blanche, my all-time favourite boutique in the whole wide world. Not only was (almost) everything in the shop black and white, but they had all sorts of incredible independent brands that made it stand head and shoulders above the rest.
I was made aware today that this holy mecca of black drapey clothing had shut it's doors nearly a year ago. I have kept away from fashion and more importantly kept away my from my home town for far too long, and for that I am sorry.
3 February 2013
Interlocking wedding rings designed by me and crafted by the always wonderful Bevel NYC.
2 January 2013
18 April 2012
2 November 2011
Many apologies to everyone for my recent disappearance from Obscure Alternatives. It's been an interesting couple of months and my mind has been everywhere else (mainly music) but thinking about fashion. I don't know how long it'll be until I'm back but I will be. I just need to live a little.
Affiché par Obscure Alternatives à 17:26